Description
Features
- Over 25 EQ, compressor, gate, expander, saturator, and filter modules
- Easy drag and drop, on the fly module auditioning
- Side chain support
- Input and output control
- Analog Saturation Modeling
- Double precision processing
- Ultra Low Latency
- Mono and stereo versions
Vocals
The 6050 Ultimate Channel Strip EQ modules best suited for vocal and dialog applications include the E300/301, British E, Moo Q and EZ Q. The high pass filter of the EZ Q (and also the British E module) is great for removing vocal plosives, and all these modules have good frequency ranges to fine tune the typical vocal performance. The compression module offerings designed to handle vocals and dialog include the C671, MT2, and iC2 modules. For more articulated performances where significant amounts of sibilance are present, the Over EZ 2 and BC-22 modules work well.
Drums
The EQ ’76, FRG EEE and E357 modules are great for drums, like their compressor modules counterparts. These modules’ four-band configurations are flexible enough to deal with the whole drum kit, or one instrument at a time. The SST ’77, FRG 445, and D358 compression modules are great for dealing with drums tracks. Although these modules can be used to really compress the incoming audio, they have enough control and flexibility to produce well balanced dynamic range control.
Keys, etc.
The EQ ’76, FRG EEE and E357 modules are great for drums, like their compressor modules counterparts. These modules’ four-band configurations are flexible enough to deal with the whole drum kit, or one instrument at a time. The SST ’77, FRG 445, and D358 compression modules are great for dealing with drums tracks. Although these modules can be used to really compress the incoming audio, they have enough control and flexibility to produce well balanced dynamic range control.